In The Studio - Alanis Morissette
Alanis Morissette at Scream Studios in Studio City, California
(click to enlarge)
Two years ago, in the movie Dogma, Alanis Morissette played God.
On her forthcoming album - delayed for months due to tense contract negotiations
with her label, Maverick - she takes on a bigger role: producer.
"Playing God didn't require much," Morissette, 27, says while
taking a break from recording at Doghouse Studios, a West Los Angeles
facility owned by the Eagles' Glenn Frey. "There's a lot more to
producing a record, but I was up for the experience."
It's a big step for Morissette, whose last two albums, Jagged Little
Pill and Supposed Former Infatuation Junkie, were handled by
Glen Ballard, the songwriter and producer for hit records by Dave Matthews,
Aerosmith and others. "I listen to my gut about what the next chapter
of my life is going to be," she says. "Ever since I was nine,
I knew at some point I would produce my own records - it's a natural step."
Morissette composed most of her best-known material with Ballard, but
for this album she wrote on her own. "My purpose was to get back
to my truths again, and there's no better way for me to do it than writing
songs," she says. "My songs always change my life - if I'm at
all off my proverbial path, as soon as I start to write songs, it gently
pushes me back on. I'm afraid of it sometimes."
The lyrics move away from the intimate revelations of earlier work toward
more universal topics. "I always thought there were my issues, and
there were global issues," she says. "Now I realise they're
the same."
Not that Morissette has abandoned the edgy confessionals that charged
Jagged Little Pill. The song tentatively titled "Narcissus"
opens with the line, "Dear mama's boy, I know you've had your butt
licked by your mother." And the standout track, "21 Things I
Want in a Lover", is a want ad detailing what a potential paramour
should be.
For the record, Morissette is looking for someone who's masculine and
feminine, is politically aware and uninhibited in bed. "I exactly
mean it," she says. "If someone said, 'Hey, I'm 21 of these
things, let's go to lunch,' I'd be excited. I get very specific about
what I choose."
In the studio - which she has personalised with Indian statues, scarves
and The Big Book of Filth: 6500 Sex Slang Words and Phrases ("Required
reading," she says) - Morissette is easy-going with the musicians.
"I'm a nurturing person," she says. "I know how it feels
to be on the other side of the glass."
Though she remains a major international artist, Morissette saw a big
decline in sales from Jagged Little Pill, which sold a staggering 16 million
copies, to her most recent album, which sold 3 million. But she says that
she values personal satisfaction over commercial success. "Finishing
the record, that's my goal," she says. "Once I finish it and
hold it in my hand, I consider it a success."
Morissette admits to being out of touch with the current pop tastes.
When she's asked how many members of Backstreet Boys or 'NSync she can
name, she draws a blank. "You got me there," she says. She may
be older then some folks on the radio, but she doesn't feel ready to be
put out to pasture. "I'm an elder on some levels," she says,
smiling, "but I still feel like a little bit of the junior."
by David Wild, Rolling Stone #594, December 2001
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